The New York Times • Los Angeles Times • The Boston Globe
Her stories may be literal one-liners: the entirety of "Bloomington" reads, "Now that I have been here for a little while, I can say with confidence that I have never been here before." Or they may be lengthier investigations of the havoc wreaked by the most mundane disruptions to routine: in "A Small Story About a Small Box of Chocolates," a professor receives a gift of thirty-two small chocolates and is paralyzed by the multitude of options she imagines for their consumption. The stories may appear in the form of letters of complaint; they may be extracted from Flaubert's correspondence; or they may be inspired by the author's own dreams, or the dreams of friends.
What does not vary throughout Can't and Won't, Lydia Davis's fifth collection of stories, is the power of her finely honed prose. Davis is sharply observant; she is wry or witty or poignant. Above all, she is refreshing. Davis writes with bracing candor and sly humor about the quotidian, revealing the mysterious, the foreign, the alienating, and the pleasurable within the predictable patterns of daily life.
Folio Prive Nominee, The Telegraph (UK) Best Books of the Year, Kansas City Star Top Books of the Year, Folio Prize Nominee, NPR Best Book of the Year, New York Times Book Review Notable Books of the Year, Boston Globe Best Books of the Year
A Story of Stolen Salamis
My son's Italian landlord in Brooklyn kept a shed out back in which he cured and smoked salamis. One night, in the midst of a wave of petty vandalism and theft, the shed was broken into and the salamis...
Praise for Can't and Won't
“Widely considered one of the most original minds in American fiction today.”—Dana Goodyear, The New Yorker
“This is what the best and most original literature can do: make us more acutely aware of life on and off the page.”—Peter Orner, The New York Times Book Review
“[Can't and Won't] is evidence of a writer who is in total control of her own peculiar original voice; its pleasures are unexpected and manifold.”—Kate Christensen, Elle
“A master of sequencing. Davis mixes long and short dispatches to intoxicating effect.”—Dwight Garner, The New York Times
“The most revolutionary collection of stories by an American in twenty-five years.”—John Freeman, The Boston Globe
“Drop everything and pick up Lydia Davis's fifth collection of short stories...Observation, drama, and (yes) compression—it's all there, giving the most minor moments a kind of epic weight.”—David L. Ulin, Los Angeles Times
“Davis's signal gift is to make us feel alive.”—Claire Messud, Financial Times
“Davis dances right up to and around that final mystery that can't, won't, and must be borne, that most inexplicable magic trick, life's vanishing act.”—Parul Sehgal, NPR
“Davis is official literary dynamite...Everything she writes looks effortless.”—San Francisco Chronicle
In the Press
Now that I have been here for a little while, I can say with confidence that I have never been here before. - FSG's Book Keeping