CHAPTER 1
It was 9 A.M. on a Wednesday, and a late autumn breeze swept in off the Schuylkill River as Detective Mike Coletti strode through the Fairgrounds Cemetery.
As he passed between centuries-old crypts, Coletti thought of his young partner, Charlie Mann, whose crack marksmanship had saved Coletti from the serial killer who was now buried there.
In some ways, Coletti wished that Mann had allowed him to die in the showdown with the killer. That way, Coletti wouldn't be wrestling with a loss no one could understand, or walking toward a grave he didn't want to see.
But Coletti knew, deep down, that the grief he felt was just another in a long line of enemies that he'd spent his life fighting—enemies that in many ways were extensions of himself.
In his youth, Coletti had struggled against his desire to cross the line between cops and criminals on South Philly's mob-controlled streets. In the department, he'd struggled against authority, and in doing so, he'd crippled his career. In private, he'd struggled against the demons of pride, rebellion, and apathy.
Today, Coletti would confront his demons, and he would do it where they lived—in his heart. He would either win the battle that raged within him or he would die fighting, but Coletti couldn't allow his demons to consume him. Not anymore.
He cut an unusual figure as he crossed the sprawling cemetery. His dark Mediterranean features were topped by salt-and-pepper hair. His pants and rumpled trench coat were accented by coffee stains. But it was his facial expression—grim and determined, angry even—that set him apart from the mourners that usually visited the cemetery.
When he finally caught sight of the grave he'd come to visit, he saw something odd out of the corner of his eye. It was a brightly colored vinyl banner strung on the cemetery's wrought iron gate. It looked out of place among the acres of headstones.
"Gravedigger's Ball," it read. "November 14th. A black-tie fund-raiser at Tookesbury Mansion. Go to Fairgroundscemetery.com for ticket information."
Coletti had heard of the annual fund-raiser that helped to maintain the historic graveyard where burials were now a rarity, but he'd never paid attention, and in truth, he didn't care about it now.
He looked once more at the banner and kept walking. Then he felt someone's eyes at his back. He turned around and saw two women standing near a grave. The younger one was staring at him as the cemetery's swirling wind blew her blond hair across her face.
Coletti turned away from her, scowling as he thought of the things that had happened the last time a woman had looked at him that way. He thought of the confession in the art gallery, the bodies in the churches, the clues in the prophecy, the Angel of Death.
He thought of the way he'd looked past all those things to stare back at that woman. He thought of the resultant carnage.
Coletti couldn't afford to be distracted anymore. He'd come to the graveyard for a purpose, and he was going to accomplish it.
As he drew nearer to the grave, the dead leaves in the cemetery crunched beneath his feet. He smiled at the way they crackled and split. The sound reminded him of his heart.
Of course, no one knew the true depths of Coletti's heartbreak, and if he could help it, no living person ever would. Where Coletti came from, you didn't pour out your heart. Not if you were pushing sixty. Men from Coletti's generation kept their feelings to themselves, or they whispered them in confessional booths to priests. They didn't tell their wives. They didn't tell their children. They didn't tell anyone. They simply lived with it.
That wouldn't work for Coletti this time. He'd seen too much misery while investigating the string of killings that had almost cost him his life. But in all he'd witnessed, he didn't see the thing that mattered most. He didn't see her lies.
Coletti could live with many things, but he couldn't live with that, so he walked through the cemetery and stopped at the grave of the woman whose deception had almost killed him.
He stood there and took a deep breath as he looked at the small, flat stone that marked Mary Smithson's grave. Then he bent down and placed a white rose upon it as he whispered the words that he'd thus far kept to himself.
"You spit on my heart," he said bitterly. "But at least I know I have a heart now. That's more than I could say before I met you."
Coletti glanced over his shoulder self-consciously. He wasn't used to speaking to the dead, but he was here now, and he was determined to get it all out, no matter how awkward it felt.
"I guess the worst part is that I trusted you," he said, looking down at the tiny grave marker. "I let my guard down, and you hit me so fast and so hard I didn't even know it until it was too late."
He shook a Marlboro loose from a near-empty pack and lit it as his heart filled with grief, then with pain, then with regret. Taking a long drag, he released the acrid smoke into the air and stood there, savoring his first and only cigarette of the day.
For a long time, he stared at the grave, his mind filled with a mixture of love and hate so volatile he felt as if it would explode. "You lied to me, Mary. But I lied to myself too, didn't I? I lied when I told myself a young, smart woman like you would want a lonely old cop like me. I lied while you kept on killing, and the craziest part of it all, the part that eats me up every time I think about it…" He paused as the anger and grief welled up inside him. "The part that kills me is that I loved you anyway."
Coletti took another drag of the cigarette. Then he plucked it away and stood at the grave as the autumn breeze whispered through his unkempt hair.
"But that's all in the past, isn't it?" He looked down at the ground with a sorrow he'd been holding on to for months. "If I didn't learn anything else from all this, I learned that it doesn't pay to hold on to the past."
But the past was all he had, so he stood at her grave and closed his eyes and tried to picture her. Not as the crazed killer who'd perished in the abandoned warehouse, but as the woman he'd loved almost from the moment they met. He wanted to remember her smiling and full of life, with a sparkle in her eye and a laugh that was almost musical.
Maybe if he remembered her that way he could stop being so angry at her. Maybe he could even forgive himself.
When finally he opened his eyes, he saw something curious. About thirty feet to his left, the young woman he'd seen earlier was walking toward him, taking each step with a sense of purpose that was vaguely familiar. She didn't sashay with the self-awareness of a woman who knew she was being watched. Rather, she moved in fits and starts, with the confused look of someone who was searching for something.
As she moved toward him, Coletti saw that her lips, bow-shaped and thin, were set in a perplexed line, and her brow was furrowed in a look of determination. None of this was particularly interesting to Coletti. When he saw her eyes, however, his curiosity quickly morphed into something between anxiety and fear.
This woman, with eyes that were at once intense and alluring, was a younger version of Mary. She had the same pale skin and wide face, the same sensuality and windswept hair, the same sense of purpose that had driven Mary to the grave. Yet something in this woman's face was different.
As she drew closer, Coletti saw what it was. She was worried about something, and worry was an expression he'd never seen on Mary's face.
Unable to speak, think, or move, the old detective just stared. Before he knew it, she was beside him, and though he wanted to stop himself from looking at her, he couldn't. She didn't seem to care.
Standing there next to him, she silently looked down at the grave for a full minute before she even acknowledged his presence.
"You're Detective Coletti," she said, looking up at him with the same blue eyes that had instantly drawn him to Mary Smithson. "I read a lot about you right after Mary died."
"I, uh…" He stumbled for the words before finally blurting out, "You look a lot like her."
The woman smiled sadly. "She was my sister—genetically, at least."
"You must've been closer to her than the rest of the family. I talked to her father after she died, and none of them had any interest in coming here to stand for her burial."
"I'm not surprised," the woman said, glancing at the grave once more. "They're an insular bunch. They don't like to be questioned, and they don't take too kindly to outsiders."
"You sound like you speak from experience."
"I do." She extended her hand. "My name is Lenore Wilkinson. Mary and I shared a father, but not much else."
Coletti reached out and shook her hand. Her skin was soft and smooth, but her grip was surprisingly strong. "Mary mentioned you," Coletti said.
"Mostly angry accusations, I bet. Let's see.… My mother was a whore who stole Mary's father and embarrassed her mom in front of the fifty-nine people who lived in that sprawling metropolis called Dunmore."
"You sound a little angry yourself," Coletti said.
"Maybe a little. Wouldn't you be angry if people hated you just for being born?"
"I guess you've got a point."
Lenore looked down at the grave marker. "That's what makes this whole thing such a struggle for me. On the one hand, I hate Mary and her family for the things they said about my mother and me, and on the other hand I'm curious about Mary. I don't understand how she could kill all those people, especially since she was supposed to be the smart one."
"She was the smart one," Coletti said in a faraway voice. "So smart she almost killed me."
Lenore looked at him, looked through him, really. "And you loved her in spite of that," she said with a certainty that was unnerving.
As he contemplated an answer to the truth she somehow knew, the air between them thickened and the moment seemed to expand. They both felt it. When Coletti turned around to see why the atmosphere had suddenly changed, the stillness was shattered.
The sound of a gunshot exploded through the graveyard. Coletti grabbed Lenore as he dove to the ground and snatched his weapon from the shoulder holster beneath his trench coat.
About fifty yards in front of them and to their left, a dark figure crossed Coletti's line of vision and walked between the gravestones. "Stay here," Coletti said to Lenore.
Coletti got up and ran toward the spot where he'd seen the dark figure, but when he got there, the area was filled only with an eerie stillness. He looked frantically around him as he made his way through the maze of headstones and crypts, spires and mausoleums that peppered the sprawling graveyard.
As he did so, the sounds of nearby traffic seemed to fade. Joggers slowed on Kelly Drive—the tree-lined, scenic road that wound along the Schuylkill's banks. The sky was silent, the river still. Coletti could hear the sound of his own breathing and the crunch of leaves beneath his feet. He was sure the gunman could hear them, too, so he stopped moving and tried to get his bearings.
Everywhere he looked, it seemed, there was an angle, a corner, a hiding place where a man could lie in wait. As soon as Coletti started moving again, he rounded one such corner, and on the other side of a mausoleum, he saw the dark figure again, just a few feet away.
His face was pasty and white. His mustache was thick and crooked, and his high, wide forehead was topped by stringy black hair that was parted and combed to the left. He was wearing a long black topcoat with the wide lapels of centuries gone by and a bow tie that hung limp against a high-collared shirt.
"Don't move!" Coletti shouted.
The man looked at him with coal-black eyes and disappeared behind an ornate headstone.
"Hey!" Coletti yelled, running to catch him. But when Coletti rounded the headstone, the man was gone.
Holding his gun out in front of him, the detective looked left, then right, then left again, scanning the cemetery for the man whose cold, dead eyes made him look as if he'd climbed out from one of the graves.
When he didn't see him, Coletti walked forward slowly, watching and waiting for the figure to emerge from the shadows. Slowly, agonizingly, the seconds ticked by, and Coletti began to wonder if the man he'd seen was himself a shadow.
Doubling back and retracing his steps to the spot where he'd first seen the man, Coletti rounded the corner of the mausoleum and nearly stumbled into a deep hole. He caught himself just as he looked down into what appeared to be a freshly dug grave. At the bottom was a green piece of tarp with a body on top.
The dead woman was gray-haired and thin, lying flat on her back with eyes stretched wide and a string of pearls hanging loosely around her neck. Coletti couldn't see any blood. Just a smear of what appeared to be dirt around her mouth.
For a moment, Coletti stood there, unsure of what he was seeing. He hadn't seen the hole in the ground when he passed by the first time, but there it was now, with a dead woman staring up from the bottom.
Coletti's breath came faster. He held his gun tightly and took ten steps, hoping to see the man in black again. He stopped on the other side of the mausoleum, listening to nothing, and the longer he stood there, the more stubborn the silence seemed. Then suddenly he heard the crackle of footsteps on leaves. He swung around and aimed in the direction of the sound.
"Wait!" Lenore screamed, shielding her face with her hands as she looked down the barrel of Coletti's gun.
The detective sighed and lowered his weapon. "I thought I told you to stay put."
"I was afraid," Lenore said in a quaking voice.
"Looks like you should've been," he said, taking her hand and leading her over to the grave.
"Oh my God," she whispered when she looked down and saw the body.
"That's the woman you were with, isn't it?"
Lenore nodded slowly and swallowed hard. "Her name is Clarissa Bailey. She was showing me around the graveyard."
Coletti spotted something at the edge of the grave. "What's this?" he said, bending down for a closer look.
Lenore looked over his shoulder as he used a stick to turn over the small piece of parchmentlike paper.
Coletti squinted as he read the words that were typed on the sheet. "Deep into that darkness peering, long I stood there, wondering, fearing, doubting, dreaming dreams no mortals ever dared to dream before."
He looked at Lenore. "Do you have any idea what that might mean?"
Lenore shook her head and looked away from the body. She appeared to be growing ill. Coletti looked away, too. He could feel himself growing suspicious.
Just then, something rustled the branches of a nearby tree. Coletti turned and aimed his gun in the direction of the sound, but lowered it when he realized that it was merely a bird.
As they watched the black, crowlike creature fly into the distance, Coletti wondered how Mary's sister was connected to the victim. Then he wondered if the only witness to the murder had just flown away.
* * *
By nine thirty, swirling dome lights from a dozen police cars filled the cemetery. Boats from the department's Marine Unit trolled the river, a helicopter hovered overhead, and police flooded Fairmount Park, the acres-wide swath of woodlands that flanked the graveyard and extended along both sides of the river.
Officer Frank Smith was among them, and he was determined to find the suspect, because doing so might finally get him out of the park.
He'd been banished to park duty two years before, reassigned from the ninth district after a high-profile drug conviction was overturned because he badly mishandled evidence.
Despite that blemish on his record, he was a cop's cop. Known to his fellow officers as Smitty, he was hewn from a long line of men who'd stood on the front lines of the city's war on crime. He was proud of that distinction and anxious to carry on the legacy of his forebears.
Smitty had done so in the ninth, having foiled bank robberies and muggings on more than one occasion. But here, in the park, he was left to patrol a sector that included five acres of woods, three baseball diamonds, two eighteenth-century mansions, and a broken-down amphitheater.
He spent most of his time rousting couples who stayed in the park after the ten o' clock curfew or writing tickets for people who raced their cars along the park's winding roads.
In Smitty's mind, two years of park duty was ample punishment for his sins. Now, he wanted to get back to doing real police work, and if finding a pasty-faced man wearing old-fashioned clothes was his ticket back, the cop was determined to do that.
He'd spent the past twenty minutes riding through the park with his head on a swivel, looking through the trees for signs of anything unusual. He'd checked the locked doors on the mansion that housed Smith Playground and the historic home on the other side of Reservoir Drive. He'd checked the hiding spaces along the sides of the roads and the open spaces in the fields.
Smitty took one more swing through his sector, riding past a statue of General Ulysses S. Grant and beneath a bridge that connected Kelly Drive to the park. When he turned right on Mt. Pleasant Drive, a sliver of road that ran near the reservoir, he passed Smith Playground and saw something in the woods to his right. It appeared, at first, to be a large animal of some kind—a deer, perhaps. When he looked again, he was sure that what he'd seen was a man.
He parked his car and looked into the forested area known as Sedgley Woods. In warm weather, it was a mix of fallen trees, worn paths, and metallic baskets that served as a disc golf course. On rainy fall days like this one, the woods were largely abandoned, which made the man's presence there all the more unusual.
Smitty got out and walked past what would have been the third hole on the disc golf course. As he moved farther into the woods, he saw the man again. Breaking into a trot, he grabbed his radio to call for backup, but when he pressed the transmit button, nothing happened. He tried again with the same result, and when it was clear that his handheld radio was out, he didn't go back to his car. He drew his gun. He wasn't going to let whomever he'd seen get away.
The skies grew darker, and Smitty followed the man as he veered off the dirt path and into a thicket of fallen trees, moss-covered rocks, twisted vines, and uneven earth. Along the way, the cop stumbled over fallen branches and sunk into piles of leaves. With each step he took, he caught another glimpse of something that appeared to be the suspect. He churned his legs harder in an attempt to catch up to him, but as the woods surrounded Smitty, both his legs and his eyes began to betray him.
He tripped and fell over a discarded beer bottle. He fell again on a slippery rock. And when he got up, trotting past a tree with the names of long-dead lovers carved into its bark, a pasty white face flashed in front of him and disappeared. A second later, the face was visible to his left. Then it showed up on his right, staring at him with those coal-black eyes.
Each time Smitty looked in the direction of the face, he saw only the suspect's black coat. The black of the coat gave way to the high-collared shirt, then the floppy bow tie, and again, the face. The images appeared and disappeared in a deluge of black and white, assaulting the cop's eyes like fists.
Smitty looked in front of him and thought he saw the suspect again, nearly fifty yards away in a deeper section of the woods. He ran to catch up, trudging through a patch of dead vines so thick that they looked like tangled yarn. He fell once more, dropping his hat in the process. Then, with sweat trickling down his face, Smitty struggled to his feet and beat back the vines as he moved deeper into the woods.
He was breathing hard as he jogged through the wilderness, hoping all the while that he'd catch another glimpse of the suspect. The farther he ran, however, the more useless the chase seemed to be. The trees were more numerous than they'd been just seconds ago, and their branches seemed to weave together to blot out all signs of daylight.
"Hey!" Smitty yelled, but the woods simply swallowed his voice. "Hey!" he yelled, louder this time, and still, to no avail. "Hey!" he screamed, his voice now tinged with panic.
The answer he received was darkness, punctuated by the sound of a stick breaking in front of him. He raised his gun and aimed in that direction. Then a tree branch was brought down on his arm with such force that it knocked him off his feet and made him drop the gun.
Smitty yelled in agony and grasped his forearm, knowing that it was broken. When he looked up to see where the branch had come from, the man he'd been looking for was standing over him, preparing to swing again. Rolling to his right, the cop eluded the heavy branch and scrambled to his feet before the man could swing a third time.
Smitty dove for the gun, but the man kicked it away before he could reach it. If he was going to win this battle, he'd have to do it the old-fashioned way.
Smitty slowly rose to his feet and circled left in a fighting crouch. "Come on," he said through clenched teeth.
The man simply looked at him, his coal-black eyes, crooked mustache, and unsmiling mouth fixed rigidly in his ghostly white face.
Smitty charged with his nightstick in his left hand and managed to land a glancing blow before the man sidestepped him. He tried to swing again, but the man blocked the nightstick with his much heavier tree branch and grabbed the cop's broken forearm with his other hand.
Smitty screamed and fell to the ground clutching his arm. The man tried to stomp on him, but Smitty swept his adversary's legs from under him. Fists flew as they rolled among sticks and fallen leaves, each struggling to overcome the other.
Scrambling to his knees, Smitty caught the man with a hard left hook that temporarily swung the battle in his favor. The man rolled onto his back. Smitty tried to jump on top of him. The man put both feet into Smitty's stomach and pushed with all his might, sending the cop sprawling.
Both of them rushed to get to their feet, and, for the first time, the cop got a good look at the man he was fighting. His eyes were black and bottomless. His mustache was brittle and his flesh was devoid of color. His face showed no signs of life. Even the drop of blood that trickled down his forehead appeared to be black instead of red. He looked dead and alive all at once.
Smitty took a step backward as the man in black approached. He took another when the man moved closer. The cop looked behind him and saw a mound of dirt. Then he looked once more at the man in front of him. As Smitty's face twisted in fear, the man's lips parted, revealing a black-toothed smile. Smitty yelled and tried to charge him, but the man swung mightily and the cop stumbled backward toward the mound of dirt. Smitty tried to stop himself, but before he could regain his footing, the ground beneath him gave way.
He fell into a freshly dug hole that had been covered by leaves and sticks. He tried to crawl up the side of the narrow opening, but his broken arm betrayed him and he quickly slid down the dirt wall.
Again and again he tried to crawl out of the hole. When he couldn't try anymore, he looked up and saw the man in black watching him. He was holding a shovel, and when he dropped the first pile of dirt into the hole, Smitty screamed out for help, but the makeshift tomb muffled his voice.
As the man in black methodically filled the hole, Smitty continued his desperate calls for help. In twenty minutes, the hole was filled. Smitty was silent. The man was gone.
The only thing that remained was a single black bird, perched high above the scene. When the bird finally flew away, one thing was abundantly clear. The Gravedigger's Ball had begun.
Copyright © 2011 by Solomon Jones