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Rave reviews for Home

The Paris Review

New York Times, August 31 

New York Magazine, August 24 

The New Yorker, September 8

Christianity Today, September 8

Read Marilynne's Op-Ed:  New York Times, August 31 

From the September 12 Newsweek:

There is almost no first-rate American fiction about what happens in a household where religion is the family business, but if you ever wondered what it's like to be a preacher's kid, you can't do better than "Home." Robinson's greatest achievement is that she manages to introduce the notions of belief and religious mystery without ever seeming vague. She never shies from uncomfortable truths. When Jack asks Glory why she hates Gilead and wants to leave, she says, "Because it reminds me of when I was happy." Fixing dinner, she "wished that it mattered more that [she and her father and brother] loved one another. Or mattered less, since guilt and disappointment seemed to batten on love. Her father and brother were both laid low by grief, as if it were a sickness, and she had nothing better to offer them than chicken and dumplings." This is a novel that builds its truth out of quotidian detail—the way Jack thumbs the felt on his hat brim, the way Glory thinks in Bible verses: watching Jack leave at the end of the book, she thinks, "A man of sorrows and acquainted with grief, and as one from whom men hide their face. Ah, Jack." This is book full of sadness, but the greatest sadness on the reader's part is that it has to end.

Click here for full review!

From the Seattle Times:

“One of "Home's" pleasures is watching Glory and Jack rediscover each other after years of separation and misunderstanding. Each possesses a wry, almost mordant sense of humor; for such a serious writer, Robinson can be very funny. Through hardship and humor, these two siblings find in one another an empathy unique to those in the same gene pool, shouldering a similar burden of parental expectations.”

From the San Francisco Chronicle:

“In both "Home" and "Gilead," Robinson appears to be considering (among myriad themes and issues) the ravaging, irremediable loneliness of the unbeliever. She embeds her inquiry in a lode of theological history, and a nest of comforting physical details. "Home's" deepest pleasures may come from the exchanges (which form the novel's body) between Glory and Jack - tentative, difficult, sore with love, anguish, insight, told through Glory's exquisitely nuanced perceptions in clean, simple, luminous language. (Robinson's prose soothes and calms, itself a balm.) Jack strives to prove himself, relapses and self-lacerates, retriggering everyone's sorrow, not least that of a father who hardens as he diminishes - a spectacle so universal in its particularity it becomes nearly unbearable. We may hope, "Home" finally suggests, that things will one day settle, in unanticipated ways. Robinson loves the word "settle," and by it she does not mean resignation.

"Home" offers such intricate characterizations, so many passages of surpassing wisdom and beauty, one yearns to quote page after page. It rejoices in the humblest actions - giving a haircut, weeding, making meals, coffee - the holiness of the daily. As handily as it fits Frost's famous lines, "Home" also calls to mind those of the late, entirely unreligious E.B. White: "All that I ever hope to say, is that I love the world."

Click for praise from The Dallas News, Washington Post Book World and the positively rave review from the Los Angeles Times.

VOGUE- September issue

Great review

 “Any novel from Marilynne Robinson arrives with a sense of the miraculous.  More than two decades passed between the publication of her quietly earth-shattering debut, HOUSEKEEPINF, a book that remains a modern classic, and its triumphant, expansive follow-up, GILEAD, a Pulitzer Prize-winner in 2005.  We can be grateful to not have to wait so long for HOME…Marilynne Robinson lives up to her dazzling reputation.” 

ELLE – September issue

Great review

 “HOME takes up with the elderly and ailing Reverend Boughton-neighbor and friend of Gilead’s narrator, the Reverend John Ames-and his daughter and wayward son.  Animated by Robinson’s quietly unassailable love for and faith in them, they rise off the page and grip us with the drama of their lives”

O , THE MAGAZINE September issue

Great review

“[Robinson’s] prose is our flight out, a keen instrument of vision and transcendence.  The book is told from the perspective of Glory, so this language is given a compelling personal voice…While the men work out their splintery emotions, the wisdom and grace of the book resides in the quiet voice of the woman who loves them.”

GQ September issue

“What everyone will the Talking About” timeline and HOME is #1 on Book list

MORE September issue

Yes, another Great review

“Robinson, one of America’s most quietly thrilling novelists, paints a serene Iowa landscape which contrasts with Glory’s memories of Jack, her father’s ancient anger and her struggle to make peace with two men who have kept her on the edges of their orbits.”

BOOKPAGE September issue

“ A prodigal son returns in brilliant ‘Gilead’ sequel”