Vaudeville actress Leah Randall took on her most daring role ever when she impersonated missing heiress Jessie Carr in order to claim Jessie’s inheritance in The Impersonator. Now that the dust has settled around that tumultuous time in her life, Leah has adopted Jessie’s name as her own and moved to Hollywood, where she's taken a modest but steady job in the silent film industry.
Jessie’s thrilled when Bruno Heilmann, a movie studio bigwig, invites her to a party. She’s even more delighted to run into a face from her past at that party. But the following day, Jessie learns that sometime in the wee hours of the morning both her old friend and Bruno Heilmann were brutally murdered. She’s devastated, but with her skill as an actress, access to the wardrobes and resources of a film studio, and a face not yet famous enough to be recognized, Jessie is uniquely positioned to dig into the circumstances surrounding these deaths. But will doing so put her own life directly in the path of a murderer?
With Silent Murders, MB/MWA First Crime Novel Competition winner Mary Miley has crafted another terrifically fun mystery, this time set in the dizzying, dazzling heart of jazz-age Hollywood.
Turns out vaudeville doesn’t prepare you for Hollywood.
I’m a quick study and good at figuring things out, but it was a week before I could navigate the eighteen acres of stages, sets, and storage rooms at Pickford-Fairbanks Studios. It was another week before I got straight in my head the pecking order of all the directors, general managers, collaborators, producers, and other big shots and learned to tell the actors from the extras and the gaffers from the grips. To be safe, I called everyone mister or miss until they said otherwise.