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BFI Film Classics

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La Grande Illusion

BFI Film Classics

Julian Jackson British Film Institute

Jean Renoir's 1937 film La Grande Illusion is set during the First World War, but its themes of Franco-German conflict, divided loyalties in a time of war and...

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The Bigamist

BFI Film Classics

Amelie Hastie British Film Institute

Amelie Hastie’s study of The Bigamist (1953) directed by and starring Ida Lupino, shows how the film combines elements of noir and melodrama to tell the story...

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Jia Zhangke's 'Hometown Trilogy': Xiao Wu, Platform, Unknown Pleasures

BFI Film Classics

Michael Berry British Film Institute

Michael Berry’s study of Jia Zhang-ke’s masterful trio of films, The Hometown Trilogy, offers a fascinating insight into the cinematic world of one of...

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Detour

BFI Film Classics

Noah Isenberg British Film Institute

Long considered an unpolished gem of film noir, the private treasure of film buffs, cinephiles and critics, Edgar G. Ulmer’s Detour (1945) has recently earned...

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Spirited Away

BFI Film Classics

Andrew Osmond British Film Institute

Spirited Away, directed by the veteran anime film-maker Hayao Miyazaki, is Japan’s most successful film, and one of the top-grossing ‘foreign language’ films...

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Ratcatcher

BFI Film Classics

Annette Kuhn British Film Institute

The film-maker Lynne Ramsay has been hailed as one of the finest new talents in world cinema, and Ratcatcher, her first feature, has attracted international...

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Night of the Living Dead

BFI Film Classics

Ben Harvey British Film Institute

George A. Romero’s Night of the Living Dead (1968) is widely acknowledged as one of the most influential horror films of all time. Shot on a low budget on...

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Cleo de 5 a 7

BFI Film Classics

Steven Ungar British Film Institute

Cléo de 5 à 7, Agnes Varda’s classic work of 1962 depicts, in near real time, ninety minutes in the life of Cléo, a young woman in Paris awaiting the results...

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8 1/2

BFI Film Classics

D.A. Miller British Film Institute

Federico Fellini’s masterpiece 8 1/2 (Otto e mezzo) shocked audiences around the world when it was released in 1963 by its sheer auteurist gall. The hero, a...

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Amores Perros

BFI Film Classics

Paul Julian Smith British Film Institute

Amores Perros (2000) speaks to an international audience while never oversimplifying its local culture. This study of this film opens up that culture,...

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The Apu Trilogy

BFI Film Classics

Philip Kemp British Film Institute

Released between 1955 and 1959, the three films that became known as Satyajit Ray's "Apu Trilogy" introduced a major new filmmaking talent to the world. Based...

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Night Mail

BFI Film Classics

Scott Anthony British Film Institute

Night Mail (1936) is one of the best-loved and best-known films in the canon of British documentary cinema. Bringing together the creative talents of Harry...

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The Big Lebowski

BFI Film Classics

J.M. Tyree and Ben Walters British Film Institute

Since its release nearly ten years ago, The Big Lebowski has become a cult classic with a worldwide following, having survived the baffled reaction of many...

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City Lights

BFI Film Classics

Charles J. Maland British Film Institute

In 1967, Charlie Chaplin told an interviewer, "I think I like City Lights the best of all my films." Speaking of the film's famous ending, James Agee wrote...

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The Thin Red Line

BFI Film Classics

Michel Chion British Film Institute

The Thin Red Line (1998) is only the third film directed by Terrence Malick, the maverick genius of American cinema, in his thirty-year career. Set during the...

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The Matrix

BFI Film Classics

Joshua Clover British Film Institute

The Matrix (1999) was a true end-of-the-millennium movie, a statement of the American Zeitgeist, and a prognosis for the future of big-budget Hollywood...

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Lawrence of Arabia

BFI Film Classics

Kevin Jackson British Film Institute

Lawrence of Arabia is widely considered one of the ten greatest films ever made--though more often by film goers and filmmakers than by critics. This study...

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Distant Voices, Still Lives

BFI Film Classics

Paul Farley British Film Institute

Set in "a world before Elvis, in a Liverpool before the Beatles", Terence Davies' film "Distant Voices, Still Lives" is an elegiac and intensely...

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Modern Times

BFI Film Classics

Joan Mellen British Film Institute

Modern Times (1936) was Charlie Chaplin's last full-length silent film, and also his last appearance as the Tramp, probably the most recognizable figure in...

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Los Olvidados

BFI Film Classics

Mark Polizzotti British Film Institute

Los Olvidados (1950) established Luis Bunuel's reputation as a world-class director. Set in the slums of Mexico City, it follows the crime-filled and violent...

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Bombay

BFI Film Classics

Lalitha Gopalan British Film Institute

In January 1993 sectarian rioting left two thousand Hindus and Muslims dead in Bombay. Only two years later Mani Ratnam's audacious Tamil filmBombay (1995)...

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Fear Eats the Soul: ("Angst Essen Seele Auf")

BFI Film Classics

Laura Cottingham British Film Institute

In Rainer Werner Fassbinder's Fear Eats the Soul (1974) an aging cleaning woman, Emmi (Brigitte Mira), marries a much younger, immigrant Moroccan mechanic, Ali...

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Groundhog Day

BFI Film Classics

Ryan Gilbey British Film Institute

It is becoming clearer and clearer that Groundhog Day (1993), directed by Harold Ramis, is one of the masterpieces of 1990s Hollywood cinema. One of the first...

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On the Waterfront

BFI Film Classics

Leo Braudy British Film Institute

"I could have been a contender, I could have been somebody." So speaks the haunted former boxer Terry Malloy (Marlon Brando) to his brother Charley (Rod...

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