Alex Ross, music critic for The New Yorker, is the recipient of numerous awards for his work, including two ASCAP Deems Taylor Awards for music criticism, a Holtzbrinck Fellowship at the American Academy in Berlin, a Fleck Fellowship from the Banff Centre, and a Letter of Distinction from the American Music Center for significant contributions to the field of contemporary music. He is the author of The Rest of Noise and Listen to This.
Chacona, Lamento, Walking Blues
Alex Ross discusses how one bass line appears throughout history as a piece of musical DNA. With Ethan Iverson of The Bad Plus, mezzo-soprano Rebecca Ringle, and guitarist/composer Tyondai BraxtonShare This