Allan Kozinn is a classical music critic for The New York Times. Before joining the staff of the Times in 1991, he was a contributing editor for the classical music magazines High Fidelity, Opus, and Keynote, and he was the music critic for The New York Observer. He lives in New York City.
Henry Holt and Co.
A dazzling appraisal of the definitive classical music performances available today
For classical music lovers, there is nothing more beguiling and exciting than the range of technique...