MR. MACHI LEANS BACK into his armchair, sinks his hand into the blond mane moving rhythmically between his legs, and shuts his eyes. The first rays of morning sun filter through the window in a triangle, making the fountain pen shimmer as they descend over the desk, with its two half-empty glasses, the miniature of Norberto Fontana’s Dodge, the antique telephone, the open bindle, the mound of coke, the credit card with its edges frosted from use, and the dirty ashtray, before coming to rest on a framed family photo of Mr. Machi, ten years younger, smiling next to his two children and his wife on a Mediterranean beach. When the vertex of the luminous triangle touches the blond mane, its movements become less rhythmic, following along with the spasms shaking the body of Mr. Machi, who grabs a fistful of blond hair as an orgasm roars out of him with muffled snorts. Then he collapses into the armchair, loosens the knot in his necktie, takes a gold Dupont lighter from the top drawer of the desk, and lights a Montecristo while the woman fixes her hair, wipes the corners of her lips, and sucks down a line.
“You want?” she asks.
She’s got a young face, hardly marked by age, and the mascara dripping from her left eye gives her a certain air of negligence, abandon, desperation.
Mr. Machi thinks of his heart problems and the little blue pill he took less than an hour ago, which guarantees his still-relentless organ a slow, even cavalier diminution.
“No, no,” he answers, with tobacco smoke in his mouth, then exhales, letting it mingle with that growing triangle of light shining through the window, drawing—the light and the smoke—figures in the air that no one else will bother looking at.
The young woman with the blond hair sniffs—once, twice, three times—and curses, smug and sassy, at the coke, her fate, the triangle of light foretelling another beautiful day—damn it—and the taste of Mr. Machi’s sperm in her mouth.
“I’m going, Luis,” she announces.
“Shut the door, I’ve got to stay a while longer. Tell Eduardo and Pereyra to make sure everyone shows up early tonight, okay? Remember, the Mexicans are coming…”
“Relax, I’ve got them under control. We’ll see each other tonight, babe,” the young woman says, taking leave of Mr. Machi with a kiss on the neck. He lets her kiss him and goes on amusing himself with the smoke from his Montecristo, as though she no longer existed—as though, his desires sated, the girl with the blond hair and the golden nose were nothing more than an irritation. Then, when she turns and heads for the door, hips shifting in her skirt, he takes a look at her ass.
Tomorrow I’m going to crack that wide open, he thinks.
Now alone in his office, he goes to the bathroom and looks at himself in the mirror.
In the mirror, Mr. Machi sees success.
And what is success for Mr. Machi?
He smiles and thinks: Success is me.
Success is a blond bimbo sucking your cock, Luisito, he thinks, smiling into the mirror—success is the taste of a Montecristo. Success is that little blue pill and ten mil in the bank.
He relights the cigar waiting for him in the ashtray on his desk and dials a number on the antique phone. The triangle of light has now taken over the office, leaving no doubt that morning is here.
“Hello,” the woman’s voice responds, sluggish and bewildered, laying extra stress on the lo.
“Hey, I just finished up, I’ll be heading back in a bit.”
“You just finished up?” the harridan asks. “How nice of you to call. Did you at least wash up first?”
“Mirta, please, don’t break my balls. Get something going for breakfast, I’ll be home in an hour, give or take,” Mr. Machi says, more bored than angry.
“Fine, I’ll tell Gladis to make something, if you like.” The malice in her words seems to make her feisty. “Ah, no, I’ll have to tell Herminia…”
“Again with this, Mirta,” Mr. Machi says. He takes another drag from his Montecristo and wonders why, since he’s still feeling the effects of the little pill, he didn’t just tell the girl with the blond hair and the green skirt to stick around so he could give it to her in the ass.
“To what do I owe the honor of your presence at breakfast, if I may be so bold as to ask?” With each word, his wife’s voice, Mirta’s voice, emerges further from its stupor, her mounting rage evident in her S’s, like the hissing of a serpent.
“It’s my house, isn’t it?” says Mr. Machi, running out of patience. “You’re my wife, yeah? So hop to it, whip me up something decent for breakfast … I’ll be there in an hour, give or take.”
He hangs up.
Ball-breaker, he thinks.
He decides, despite the little blue pill and his heart problems, he’ll do another rail before he goes.
Copyright © 2018 by Penguin Random House Grupo Editorial, S.A.
Translation copyright © 2020 by Adrian Nathan West