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Macmillan Childrens Publishing Group
Vernon Subutex 1

Vernon Subutex 1

A Novel

Virginie Despentes; Translated from the French by Frank Wynne

FSG Originals

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The rock and roll Zola”: short-listed for the International Man Booker Prize, a European bestseller, and the basis of a hit TV series

From the provocative writer and filmmaker Virginie Despentes comes volume one of her acclaimed trilogy of novels, Vernon Subutex—short-listed for the Man Booker International Prize. But who is Vernon Subutex?

Vernon Subutex was once the proprietor of Revolver, an infamous music shop in Paris, where his name was legend throughout Paris. By the 2000s, however, with the arrival of the internet and the decline in CD and vinyl sales, his shop is struggling, like so many others. When it closes, Subutex finds himself with nowhere to go and nothing to do. Before long, his savings are gone, and when the mysterious rock star who had been covering his rent suddenly drops dead of a drug overdose, Subutex finds himself launched on an epic saga of couch-surfing, boozing, and coke-snorting before finally winding up homeless. Just as he resigns himself to life as a panhandler, a throwaway comment he once made on Facebook takes the internet by storm.

The word is out: Subutex is lugging around a bunch of VHS tapes shot by that same dead rock musician—his last recordings on this earth. Soon a crowd of wild characters, from screen writers to social media groupies, from porn stars to failed musicians to random misfits, are hot on Vernon's trail . . . but Vernon is none the wiser.

THE WINDOWS OF THE BUILDING opposite are already lit. The silhouettes of cleaning women bustle around the vast open-plan office of what is probably an advertising agency. They start work at six. Vernon usually wakes up just before they arrive. He...

Praise for Vernon Subutex 1

"With Vernon Subutex, a sprawling, scintillating panorama of contemporary Paris, [Despentes] has produced a bona fide magnum opus . . . doing for Paris what Joyce did for Dublin." —Sam Sacks, The Wall Street Journal

"Like HBO’s Succession, the book revolves around an ensemble of horrible people . . .[Despentes] writes wickedly about people watching their privilege evaporate in real time and reacting with the full range of human ugliness . . . What fun!" —Molly Young, Vulture

"Virginie Despentes is a true original, a punk-rock George Eliot with a keen taste for the pitiable innards of her characters: no one else has her slyly penetrating eye, her spiky sense of humor, her razor wit that cuts like wire through the accumulated crud of our age's default thought patterns. In her masterful hands,Vernon Subutex becomes a droll, hilarious, insightful record of our unfortunate times." —Alexandra Kleeman, author of You Too Can Have a Body Like Mine

"[A] searing social satire and biting portrait of contemporary France . . . Despentes’s timely novel is both arch and political without being too obvious that it’s either. This is a rollicking, brilliant send-up of masculinity, politics, and rock ’n’ roll." —Publishers Weekly

"Masterly . . . Despentes is often described as a 'rock and roll' Balzac . . . She also resembles, by turns, William Gibson, George Eliot and Michel Houellbecq, with a sunnier attitude." —Chris Kraus, The Times Literary Supplement

"Cool, … More…

"With Vernon Subutex, a sprawling, scintillating panorama of contemporary Paris, [Despentes] has produced a bona fide magnum opus . . . doing for Paris what Joyce did for Dublin." —Sam Sacks, The Wall Street Journal

"Like HBO’s Succession, the book revolves around an ensemble of horrible people . . .[Despentes] writes wickedly about people watching their privilege evaporate in real time and reacting with the full range of human ugliness . . . What fun!" —Molly Young, Vulture

"Virginie Despentes is a true original, a punk-rock George Eliot with a keen taste for the pitiable innards of her characters: no one else has her slyly penetrating eye, her spiky sense of humor, her razor wit that cuts like wire through the accumulated crud of our age's default thought patterns. In her masterful hands,Vernon Subutex becomes a droll, hilarious, insightful record of our unfortunate times." —Alexandra Kleeman, author of You Too Can Have a Body Like Mine

"[A] searing social satire and biting portrait of contemporary France . . . Despentes’s timely novel is both arch and political without being too obvious that it’s either. This is a rollicking, brilliant send-up of masculinity, politics, and rock ’n’ roll." —Publishers Weekly

"Masterly . . . Despentes is often described as a 'rock and roll' Balzac . . . She also resembles, by turns, William Gibson, George Eliot and Michel Houellbecq, with a sunnier attitude." —Chris Kraus, The Times Literary Supplement

"Cool, plentiful, and absolute genius. Virginie Despentes has a license to ill. Vernon Subutex is one of the best books of this decade." —Alex Gilvarry, author of Eastman Was Here

"Despentes effortlessly slips in and out of these various lives, deftly switching styles each time (one chapter is as harsh as Bukowski, another as precise as Ernaux), and in so doing creates a new Comédie humaine depicting the various social milieux of the early twenty-first century." —Jeffrey Zuckerman, World Literature Today

"[Vernon Subutex 1 is] a fantastic and disconcerting look at the outskirts of the music industry, what happens when society changes for the worst, and the legacies artists leave behind. It's a fascinating, immersive work of fiction — and there’s more on the way." —Vol. 1 Brooklyn

"Reads like Paul Thomas Anderson's Magnolia mashed with Don Quixote and set in contemporary Paris . . . the writing is energetic, delving, and occasionally lovely . . . Despentes has a sharp eye fixed on [society's] transformation, and she transcribes it acutely." —Katharine Coldiron, The Arts Fuse

"The Vernon Subutex trilogy is about a social and financial drop, the decline of a character into a world of drugs and music, porn stars, disillusionment. A satirical vivid journey rooted in the 90s, the result is funny and tragic, a wild ride." —largehearted boy

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Reviews from Goodreads