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Henry Holt and Co.
On Sale: 06/05/2012
ISBN: 9780805094886112 Pages
Depicting the financial and social insecurity afflicting young people in modern Cairo, Metro was the first adult graphic novel published (and subsequently banned) in Egypt, just three years before the Arab Spring.
In art as pulsing and immediate as Cairo itself, Magdy El Shafee delivers a prescient portrait of a crumbling society and Egypt's coming eruption. A powerful story of young men with nothing left to lose, Metro sounds the cry for a better, freer future.
When Shehab, a young software designer, runs afoul of a loan shark, all avenues of escape in Mubarak's corrupt, chaotic Egypt seem to be closed to him. Getting help from the bank is impossible without connections, and Shehab's uncle abroad wants nothing to do with his troubles. A powerful businessman offers assistance, but the next day Shehab sees him being stabbed in an alley—and the man's dying words suggest a conspiracy extending to the upper reaches of the regime.
Angry and broke, Shehab enlists his friend Mustafa in a bank heist—and falls into a vortex of financial and political corruption. On the run with a case full of money and evidence of murder, the two careen through Cairo's metro system, evading the police and the thugs who are out in force to crush antigovernment protests. The only allies who can help get them out of this mess, the friends realize, are a blind shoe-shine man and a muckraking journalist.
Praise for Metro: A Story of Cairo
“For proof of the power of comics, look no further than Metro... It is not hard to see why the dictatorship was alarmed by the novel. In a deft black-and-white portrait of Cairo and its neighborhoods, a thriller unfolds along the metro system, giving a powerful insight into why the revolution took place.” —Newsweek
“There are twists and turns, murders and shadowy conspiracies… The Byzantine plot is saturated with a political commentary on the state of today's Egypt, depicted as a deeply dysfunctional country whose citizens take government corruption and repression as a given.” —The National (Abu Dhabi)
“A visual record of the zeitgeist, filled with poverty, sexual frustration, corruption, and abuse… Part thriller, part love story, part socio-political commentary.” —Daily News Egypt-