Black Sabbath's Master of Reality

“Master of Reality is no straightforward critical assessment of Black Sabbath's album, a sludgy doom-rock classic. It's fiction that peels thrillingly off into music writing. The book is written from the point of view of a teenage boy in a mental hospital who explains why Black Sabbath and its lead singer, Ozzy Osbourne, meant so much to isolated kids like himself. It's about how rock music can express not only liberating joy but, conversely and perhaps more importantly, also speak to bottomless misery and pain. The book is funny, too. Its narrator observes that you never feel that you might hang out with Robert Plant, the Led Zeppelin singer, at a video arcade. But Mr. Osbourne, "he sounds like the guy who changes your quarters.”—The New York Times

“John Darnielle is the single constant behind the group the Mountain Goats and arguably the most rewarding lyricist working today. Taking into account his prolific wordsmithery and affinity for horror both cinematic and literary, it shouldn't come as a surprise that he'd contribute to Continuum's ‘33 1/3’ series of short books pegged to iconic albums. But Master of Reality departs brilliantly from the typical ‘33 1/3’ format, not just by choosing fiction over criticism or recording history, but in its structural gambits and unwavering sense of purpose. ”—Ed Parks, Los Angeles Times

“Mountain Goat John Darnielle's off-stage literary proclivities are no secret, which makes us all the more excited for his first novel, a paean to Black Sabbath's Master of Reality. The book is the latest in Continuum's 33 1/3 series ultrasmart series of elegant, pocket-size appreciations of rock albums as diverse as the Beatles' Let it Be and My Bloody Valentine's Loveless. Darnielle unpacks the classic, riff-erific album as a scrabrous series of diary entries written by a teenager in a Southern California mental institution. Those curious to see the budding rock critic off-stage or who are simply bonkers for Sabbath are advised to check out this reading. ”—Tayt Harlin, New York Magazine

“[Darnielle] straightjackets the essence of Black Sabbath where 40 years of music musings and cultural damnation have failed.”—Raoul Hernandez, Austin Chronicle

“[T]he focus of Darnielle's fans has always been on his lyrics and the stories contained within them. Now he's stepped off the stage and sat down at is typewriter to deliver Master of Reality, his first novel and a stunning piece of rock criticism and appreciation. Readers are likely to come to Master of Reality from a variety of backgrounds. Some will come as Mountain Goats fans wanting to see Darnielle tackle a novel, others as Black Sabbath fans wanting to read about a favorite album. Some will simply be fans of the cult-popular 33 1/3 series, which has now grown to dozens of books, yet kept its level of quality very high. Hopefully, there will be others who will pick it up as novel first, because it truly is a first-rate story, full of moments that will pluck at your heartstrings as you're brought back to the moment you first fell in love with a piece of music, when an album provided not just the soundtrack to your life but also the meaning behind it. If, by some strange chance, none of this happens, well, you're probably going to at least dust off your old Sabbath vinyl, and there's nothing wrong with that either.”—NewPages.com

“Forget the other 33 1/3s, this belongs next to The Catcher in the Rye.”—Decibel Magazine

“Darnielle, singer and songwriter for the much-loved band The Mountain Goats, cuts right to the chase in his short novel, the blunt, direct tone of his adolescent protagonist Richard Painter perfectly encapsulating the enduring appeal of metal's great progenitors. It's all about the Mighty Riff when it comes to Sabbath; everything else is secondary, and while one could easily make a case for at least half a dozen albums that deserve the 33 1/3 treatment, the riffs that define this particular album are, to echo young Roger's sentiment, unfuckwithable.”—Adrien Begrand, Popmatters.com